Ministry of Culture, Sports and Tourism

Images of Korea
TALCHUM

The Nature and Origin of Masked Dance Drama

그림

The masked dance drama that was popular during the Joseon period (1392-1910) undoubtedly represents the pinnacle of Korean vernacular culture. As its Korean name, talchum, implies, it is a form of play or dance (chum) performed while wearing masks (tal). It is also a way of releasing pent-up frustrations while concealing one's identity behind a mask. By dressing up as a nobleman or shaman, a wife or concubine, or a servant, the common people would find fun in the tense situations of real life. As a result, there was no need for professional actors like those of China or Japan. Masked dance dramas are also quite different from the masked plays of other countries, which make a clear distinction between the stage and the auditorium. They are open-air events in which performers and spectators mingle freely together.

Thus, masked dance dramas developed as an entertainment ex-pressing the thoughts of the general populace. With characters like Malddugi the lowly servant, ruthlessly satirizing the falsehood and hypocrisy of his masters with bold gestures and broad humor, or the familiar debauched monk engaging in banter with women, these plays are rife with the critical consciousness of the common people. Through them, the commoners could amply express their resentment of the oppression they suffered.

Masked dance dramas enjoyed a widespread revival in connection with the people's democratic movement that spread through Korean university campuses in the 1980s, but today it has been largely popularized as a form of folk entertainment enjoyed by people from all walks of life. Instructional programs are available in which anyone can try making the masks or learning to perform the dramas. The goal of these programs is not so much to train specialists in masked dance dramas, as to give ordinary people a taste of Korean tradition.

It is now easy to find live masked productions places in like Seoul Nori Madang. The long tradition of masked productions was once almost lost, but today it holds a firm position as a popular art of universal appeal.